/ Liked It 1748747 vote / average ratings 9 of 10 Star / duration 2 hours 34 Minutes / Writed by Quentin Tarantino / Directed by Quentin Tarantino

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Quentin Tarantino's acting is so bad that it's great. Loved him in this scene.

My girlfriend's a vegetarian, which basically makes me one too. UNDERRATED LINE. 😂😂😂 i love hoe u censor almost every eating scene 😂😂😂 shts hillarious. Oh man I shot marvin in the face. My literal reaction to this video's appearance of my recommended videos: 😑 what is this. Back to the future should be on nickmom. I LOVE THIS MOVE EEEEEEEEEEEEEEE. AAAHAHAHAHAHAAAAAAHHHHHHHH. CANT GET ENOUGH. Roads:where were going we dont need roads. Just finished watching this movie it was really good, the last 30 minutes of the movie is all funny and chill. Its like GTA in a movie lol. Samuel L Jackson is a gift from heaven in this movie.

Jimmy we're not gon' store the mothafucka. lmao. 35 minutes in, and Pulp Fiction was already my favorite movie. The way it worked out is I'm talkin. Oscar doesnt deserve a Samuel.

Talking to my son. Jim. Samuel L Jackson is the Aaron Gordon of Oscars for this performance because he was robbed. Nobody expected marvin to be shot at all an sim pretty sure everybody at least jumped when they saw that the first time. I recommend creating your own logo and training you narrator voice. Just friendly feedback. Great job.

This is one of the most quotable movies of all time. Bad stuff happens when vincent goes to the bathroom. I miss when you posted the scripts in the description. 2:25 Samuel L. Jackson did it before it was cool. What an amazing series, thank you very much. I still can't get over the fact how teenagery Quentin's voice was. I mean it still kinda is today.

2:43 The is one of the best movies ever imo. Why would I pay to watch a movie that I own? I'm watching it right now. Love the Denver Broncos clock in the opening scene. I was so looking forward to this movie because I had heard such great things about it. disappointed would be a huge understatement. what the Hell was this movie about? as far as I could tell there was no story, zero, nothing. literally nothing happened. there was no plot, no believable characters, not even a single interesting scene or line of dialog to bump this film up to a 2 in my opinion. just a total and absolute waste of time making and watching this movie. I know movies are subjective, but I just do not get how anyone can find this film remotely entertaining in any way. there are several films in the top 250 I have seen and agree they should be there. this belongs in the bottom 3, along with "Fargo" and "American Beauty.

Quentin Tarantino is the Jerry Lee Lewis of cinema, a pounding performer who doesn't care if he tears up the piano, as long as everybody is rocking. His new movie "Pulp Fiction" is a comedy about blood, guts, violence, strange sex, drugs, fixed fights, dead body disposal, leather freaks, and a wristwatch that makes a dark journey down through the generations.
Seeing this movie last May at the Cannes Film Festival, I knew it was either one of the year's best films, or one of the worst.
Tarantino is too gifted a filmmaker to make a boring movie, but he could possibly make a bad one: Like Edward D. Wood Jr., proclaimed the Worst Director of All Time, he's in love with every shot - intoxicated with the very act of making a movie. It's that very lack of caution and introspection that makes "Pulp Fiction" crackle like an ozone generator: Here's a director who's been let loose inside the toy store, and wants to play all night.
The screenplay, by Tarantino and Roger Avary, is so well-written in a scruffy, fanzine way that you want to rub noses in it - the noses of those zombie writers who take "screenwriting" classes that teach them the formulas for "hit films." Like "Citizen Kane. Pulp Fiction" is constructed in such a nonlinear way that you could see it a dozen times and not be able to remember what comes next. It doubles back on itself, telling several interlocking stories about characters who inhabit a world of crime and intrigue, triple-crosses and loud desperation. The title is perfect. Like those old pulp mags named "Thrilling Wonder Stories" and "Official Detective, the movie creates a world where there are no normal people and no ordinary days - where breathless prose clatters down fire escapes and leaps into the dumpster of doom.
The movie resurrects not only an aging genre but also a few careers.
John Travolta stars as Vincent Vega, a mid-level hit man who carries out assignments for a mob boss. We see him first with his partner Jules (Samuel L. Jackson) they're on their way to a violent showdown with some wayward Yuppie drug dealers, and are discussing such mysteries as why in Paris they have a French word for Quarter Pounders. They're as innocent in their way as Huck and Jim, floating down the Mississippi and speculating on how foreigners can possibly understand each other.
Travolta's career is a series of assignments he can't quite handle. Not only does he kill people inadvertently ( The car hit a bump. but he doesn't know how to clean up after himself. Good thing he knows people like Mr. Wolf (Harvey Keitel) who specializes in messes, and has friends like the character played by Eric Stoltz, who owns a big medical encyclopedia, and can look up emergency situations.
Travolta and Uma Thurman have a sequence that's funny and bizarre. She's the wife of the mob boss (Ving Rhames) who orders Travolta to take her out for the night. He turns up stoned, and addresses an intercom with such grave, stately courtesy Buster Keaton would have been envious. They go to Jack Rabbit Slim's, a 1950s theme restaurant where Ed Sullivan is the emcee, Buddy Holly is the waiter, and they end up in a twist contest. That's before she overdoses and Stoltz, waving a syringe filled with adrenaline, screams at Travolta, YOU brought her here, YOU stick in the needle! When I bring an O.D.
to YOUR house, I'LL stick in the needle! Bruce Willis and Maria Medeiros play another couple: He's a boxer named Butch Coolidge who is supposed to throw a fight, but doesn't. She's his sweet, naive girlfriend, who doesn't understand why they have to get out of town "right away." But first he needs to make a dangerous trip back to his apartment to pick up a priceless family heirloom - a wristwatch. The history of this watch is described in a flashback, as Vietnam veteran Christopher Walken tells young Butch about how the watch was purchased by his great-grandfather, Private Doughboy Orion Coolidge, and has come down through the generations - and through a lot more than generations, for that matter. Walken's monologue builds to the movie's biggest laugh.
The method of the movie is to involve its characters in sticky situations, and then let them escape into stickier ones, which is how the boxer and the mob boss end up together as the captives of weird leather freaks in the basement of a gun shop. Or how the characters who open the movie, a couple of stick-up artists played by Tim Roth and Amanda Plummer, get in way over their heads. Most of the action in the movie comes under the heading of crisis control.
If the situations are inventive and original, so is the dialogue. A lot of movies these days use flat, functional speech: The characters say only enough to advance the plot. But the people in "Pulp Fiction" are in love with words for their own sake. The dialogue by Tarantino and Avary is off the wall sometimes, but that's the fun. It also means that the characters don't all sound the same: Travolta is laconic, Jackson is exact, Plummer and Roth are dopey lovebirds, Keitel uses the shorthand of the busy professional, Thurman learned how to be a moll by studying soap operas.

Why does Youtube even have the viewers to watch videos to pay. Even ten years ago, there were no ads on Youtube.

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